What to listen for in music
, [contracted braille] / Published by : American Printing House for the Blind, (Louisville, Ky. :) Physical details: 2 v. of contracted braille. Year: 1967 Item type:
Contracted Braille
| Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode |
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Contracted Braille
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W. Ross Macdonald School Library General Stacks | Non-fiction | 780.15 COP (Browse shelf (Opens below)) | Copy: 1 Vol: 1(2) | Available | 2012-2044 | |
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Contracted Braille
|
W. Ross Macdonald School Library General Stacks | Non-fiction | 780.15 COP (Browse shelf (Opens below)) | Copy: 1 Vol: 2(2) | Available | 2012-2045 |
Shelving location: General StacksCollection: Non-fiction Close shelf browser (Hides shelf browser)
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No cover image available | No cover image available | No cover image available | No cover image available | No cover image available | ||
| 780 MIC In Tune / | 780 MOR Music and dance / | 780 NOR The first book of music | 780.15 COP What to listen for in music | 780.15 COP What to listen for in music | 780.3 APE The Harvard brief dictionary of music | 780.3 APE The Harvard brief dictionary of music |
Contracted braille.
Preliminaries --
How we listen --
The creative process in music --
The four elements of music. I. Rhythm --
II. Melody --
III. Harmony --
IV. Tone color --
Musical texture --
Musical structure --
Fundamental forms. I. Sectional form --
II. Variation form --
III. Fugal form --
IV. Sonata form --
V. Free forms --
Opera and music drama --
Contemporary music --
Film music --
From composer to interpreter to listener.
A renowned American composer tells the amateur music lover how to increase enjoyment of music through creative listening. Discusses the creative process and elements of musical anatomy, principal musical forms, and the various levels of listening.
Transcribed from: New York : McGraw-Hill, 1957.
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