What to listen for in music (Record no. 1077)
000 -LEADER | |
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fixed length control field | 01373nam a22002293@ 4500 |
001 - CONTROL NUMBER | |
control field | 000005528243 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | CaOOAMICUS |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20161026083911.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 850702|19701979us |||||f|||||||||||eng|d |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | CaOTBNL |
Language of cataloging | eng |
Transcribing agency | CaOONLB |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 780.15 COP |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Copland, Aaron, |
Dates associated with a name | 1900-1990. |
9 (RLIN) | 2130 |
245 10 - TITLE STATEMENT | |
Title | What to listen for in music |
Medium | [contracted braille] / |
Statement of responsibility, etc | By Aaron Copland. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication, distribution, etc | Louisville, Ky. : |
Name of publisher, distributor, etc | American Printing House for the Blind, |
Date of publication, distribution, etc | 1967. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 2 v. of contracted braille. |
500 ## - GENERAL NOTE | |
General note | Contracted braille. |
505 ## - FORMATTED CONTENTS NOTE | |
Formatted contents note | Preliminaries --<br/>How we listen --<br/>The creative process in music --<br/>The four elements of music. I. Rhythm --<br/>II. Melody --<br/>III. Harmony --<br/>IV. Tone color --<br/>Musical texture --<br/>Musical structure --<br/>Fundamental forms. I. Sectional form --<br/>II. Variation form --<br/>III. Fugal form --<br/>IV. Sonata form --<br/>V. Free forms --<br/>Opera and music drama --<br/>Contemporary music --<br/>Film music --<br/>From composer to interpreter to listener. |
520 ## - SUMMARY, ETC. | |
Summary, etc | A renowned American composer tells the amateur music lover how to increase enjoyment of music through creative listening. Discusses the creative process and elements of musical anatomy, principal musical forms, and the various levels of listening. |
533 ## - REPRODUCTION NOTE | |
Note about reproduction | Transcribed from: New York : McGraw-Hill, 1957. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
9 (RLIN) | 2118 |
Topical term or geographic name as entry element | Music appreciation. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Source of classification or shelving scheme | |
Koha item type | Contracted Braille |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Home library | Current library | Shelving location | Date acquired | Source of acquisition | Cost, normal purchase price | Total Checkouts | Full call number | Barcode | Date last seen | Copy number | Cost, replacement price | Price effective from | Koha item type |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Non-fiction | W. Ross Macdonald School Library | W. Ross Macdonald School Library | General Stacks | 04/05/2012 | APH | 0.00 | 780.15 COP | 2012-2044 | 04/05/2012 | Copy: 1 Vol: 1(2) | 0.00 | 04/05/2012 | Contracted Braille | ||||||
Non-fiction | W. Ross Macdonald School Library | W. Ross Macdonald School Library | General Stacks | 04/05/2012 | APH | 0.00 | 780.15 COP | 2012-2045 | 04/05/2012 | Copy: 1 Vol: 2(2) | 0.00 | 04/05/2012 | Contracted Braille |